Rare & Restored Seth Thomas Antique 8 Bell Sonora Chime Clock 264 1912

PART OF MY DNA IS THE LONG TERM AND CONTINUING PASSION FOR THE PROPER RESTORATION OF SELECTED ANTIQUE CLOCKS, PRIMARILY SETH THOMAS AND HERSCHEDE. EACH RESTORATION IS ACCOMPLISHED VIA BEST METHODS AND PRACTICES, ACQUIRED THROUGH DECADES OF EXPERIENCE, KNOWLEDGE, AND TECHNIQUES ACQUIRED. THE CLOCKS THAT I SELECT FOR RESTORATION AND SUBSEQUENT RESALE REPRESENT SPECIFICALLY SELECTED MODELS, WHICH ARE BEST CANDIDATES FOR THE RESIDENTIAL CUSTOMER, OR SMALL BUSINESS OWNER, WHO DESIRES TO OWN AN HIERLOOM ANTIQUE CLOCK, AS WELL AS TO ENJOY A TASTE OF ANTIQUE CLOCK AMERICANA. SINCERELY PRESENTED, STEVE IN SOUTH CAROLINA. E COMMERCE AUDIO PLAYER SOUND FILES ARE ATTACHED AT THE BEGINNING OF THIS LISTING TO ASSIST YOU IN REVIEWING THE. EIGHT BELL SONORA CHIME CLOCK NUMBER 264 – 1912. AT A SPECIAL REDUCED PRICE! IS AN EXTRAORDINARY FULLY RESTORED. SETH THOMAS SONORA CHIME CLOCK NUMBER 264 1912. EQUIPPED TO PLAY BOTH THE WHITTINGTON AND WESTMINSTER SEQUENCES. THIS SONORA 264 IS EQUISITE – AND BOTH CLOCK MOVEMENTS. THE NEST OF EIGHT RESONATED BRONZE ALLOY BELLS. AND ALL ASPECTS OF THIS LOVELY SONORA HAVE BEEN COMPLETELY SERVICED AND RESTORED. ONE WILL NEED TO LOOK A LONG, LONG TIME TO FIND A SONORA NO. 264 AS GRAND AS THIS. NOTES PERTINENT TO THE LISTING. YOU NEED TO BE EQUIPPED WITH THE DOCUMENTATION TO VERIFY THIS. MY OBJECTIVE IS TO EXCEED YOUR EXPECTATIONS IN BOTH EXPLORING AND OWNING THE SONORA 264. A GOOD BIT OF DETAILED INFORMATION IS PRESENTED TO YOU. THE ATTEMPT IS TO FULLY INFORM IN A CONCISE WAY. HIGH RESOLUTION PHOTOS 1 6 SHOW DETAILS CENTERING ON THE CABINET, DIAL AND ADORNMENTS. THIS IS A SONORA BELL CHIME CLOCK WITH A NEST OF EIGHT SUBERB THREE INCH RESONATED BELLS. THE BRONZE ALLOY BELLS ARE HOUSED IN AN EXPANSIVE AND UNIQUE WOODEN NEST CONSTRUCTED WITH BOTH UPPER AND LOWER CAVITIES CONTAINING A TOTAL OF EIGHT SEPARATE RESONATED SOUND CHAMBERS DESIGNED TO BRING OUT THE FULL TIMBRE AND BRILLANCE OF THE EIGHT SONORA BELLS. PLEASE TAKE A LOOK AT SOME OF THE DETAILS VIA THE INSETS IN SUPERSIZE PHOTO 9. THE SONORA 264 ANNOUNCES EACH QUARTER HOUR WITH EITHER THE WHITTINGTON OR WESTMINISTER CHIME SEQUENCE SELECTABLE VIA A SIDE MOUNTED LEVER. SUPERSIZE PHOTO 3 HAS AN INSET SHOWING THE SELECTION LEVER. THE CHIMES ARE RICH AND RESONANT OTHER NON-SETH BELL CHIME ANTIQUE CLOCKS SIMPLY CANNOT COMPARE WITH THE GLORIOUS SOUND FROM THIS CHIME 264 SONORA. THE NEW OWNER WILL DEFINITELY WANT TO PLACE THE SETH 264 IN A VERY SPECIAL LOCATION IN THE HOME. THE WESTMINSTER CHIME SEQUENCE IS SOUNDED USING FOUR OF THE 8 BELLS, AND THE WHITTINGTON CHIME SEQUENCE PLAYS USING ALL EIGHT OF THE BELLS. THIS SETH SONORA 264 IS A DELIGHT TO VIEW, WITH A MELLOW SATIN RUBBED POLISHED AMBER SHELLAC RIBBON MAHOGANY PATINA AND A GRAND, YET CLEAN AND ELEGANT CASE DESIGN. THE RICH INLAY WORK ON THE CASE FRONT IS FLAWLESS AND PRESENTS AN INVITING TRANSITION TO THE LARGE AND EASILY READ SIX AND ONE-HALF INCH PREMIUM AND RESTORED SILVERED DIAL WITH VIVID BLACK ETCHED ARABIC NUMERALS. THE CABINET IS FLAWLESS AS WELL, AND PRESENTS ITSELF WITH THE MELLOWED AGED PATINA SO DESIRED IN AN HEIRLOOM ANTIQUE CLOCK. PLEASE TAKE A LOOK AT SUPERSIZE PHOTOS 1 THROUGH 6 FOR HIGH RESOLUTION CLOSE-IN VIEWS OF THE CABINET, DIAL, AND INLAY WORK. SUPERSIZE PHOTOS 5-8 SHOW TOP, BOTTOM, AND BACK VIEWS OF THE CABINET AND THE WORKS. NOTE IN PHOTO 8 THE CLOSE-IN DETAILS OF THE SETH LOGO, THE IDENTIFICATION OF EACH MOVEMENT, AND A HIGH RESOLUTION SHOT OF THE CHIME HAMMERS IN POSITION OVER THE BELLS. ALSO NOTE IN THE PHOTOS. THE RICH CABINET LUSTRE. PRODUCED WHEN THE ORIGINAL SHELLAC IS AMALGAMATED. WITH FRESH AMBER SHELLAC. AND THE TECHNIQUE OF FRENCH POLISHING. IS USED TO PRODUCE THE SPLENDID FINISH. ALTHOUGH TEDIOUS AND TIME CONSUMING. THE RESULT IS WELL WORTH THE EFFORT! TAKE A CLOSE IN LOOK VIA THE PHOTOS. THE ORIGINAL SHELLAC ON THE RIBBON MAHOGANY FINISH WAS RETAINED BY AMALGAMATION WITH FRESH AMBER SHELLAC, AND THE ENTIRE CABINET WAS CONDITIONED AND PRESERVED WITH MY SPECIAL PROCESS, IN ORDER TO BRING FORTH THE RICHNESS OF THE ORIGINAL INLAY WORK TIME CONSUMING, YES BUT JUST LOOK AT THE BEAUTY OF THIS FOURTEEN AND ONE-HALF INCH HIGH SONORA NO. 264 GOTHIC CATHEDRAL CABINET! THIS EIGHT BELL SONORA CHIME CLOCK NUMBER 264 IN NEAR-PERFECT CONDITION IS A MOST SOUGHT AFTER SETH THOMAS SONORA BY COLLECTORS AND SONORA ENTHUSIASTS. FINDING ONE THAT IS, OR CAN BE, COMPLETELY RESTORED IS PLAIN DIFFICULT BECAUSE MOST ARE ALREADY PART OF PRIVATE COLLECTIONS. IF YOU HAVE ADDITIONAL QUESTIONS OR NEED MORE DETAILS, BY ALL MEANS CONTACT ME. THE SONORA CHIME CLOCK NO. 264 1912 IS LISTED IN NOTED AUTHORITY TRAN DUY LYS VOLUME 1, 3D EDITION PAGE 166. 1914 WAS THE DATE OF FIRST APPEARANCE IN THE SETH THOMAS CATALOGS. EVERY ASPECT OF THE SONORA 264 HAS BEEN RESTORED TO ORIGINAL SPECIFICATIONS, INCLUDING THE NEST OF EIGHT RESONATED SONORA BELLS. AND YOU CAN BE ASSURED OF THE QUALITY, BECAUSE IT IS A DISTINCTIVECLOCKS RESTORATION, AND I STAND BEHIND IT FULLY. SETHS NUMBERING/NAMING SCHEME FOR SONORAS DEFIES LOGIC, BUT GENERALLY THE PREFIX 2 WAS USED TO INDICATE AN 8 BELL SONORA AS OPPOSED TO A 4 OR 5 BELL SONORA. ANYONE WHO DESIRES SHOULD FEEL FREE TO CONTACT ME AND I WILL BE HAPPY TO DISCUSS DETAILS OF THE SONORA 264, AS WELL AS DIFFERENCES BETWEEN THE VARIOUS SONORAS IN GENERAL. MY CONTACT INFORMATION IS NEAR THE END OF THE LISTING. PLEASE STUDY THE SUPERSIZE HIGH RESOLUTION PHOTOS TO REVIEW ALL ASPECTS OF THE SONORA CHIME 264. THE GENEROUS 6 ½ SILVERED SONORA DIAL CAN BE VIEWED FROM ACROSS A LARGE ROOM, AND HAS BLACK ETCHED ARABIC NUMERALS AND SETH THOMAS LARGE SPADE CUT STEEL MINUTE AND HOUR HANDS. SURROUNDING THE DIAL IS A LOVELY POLISHED BRASS SASH AND BEZEL, WITH A CONVEX, HEAVILY BEVELED DIAL GLASS. THE BEZEL SNAPS CLOSED NICELY, AND DOES NOT SAG, AS DO SOME. SUPERSIZE PHOTO 4 INCLUDES CLOSE UP VIEWS OF THE BEVELED GLASS AND SILVERED DIAL. THE BEVELED GLASS DOES HAVE MINUTE SCRATCHES IN THE CENTER BUT THEY CAN ONLY BE SEEN VERY CLOSE IN AND THEY DO NOT DETRACT IN THE LEAST. IN ADDITION, INSETS IN PHOTO 4 SHOW THE SETH THOMAS SONORA CHIME AND MADE BY SETH THOMAS IN U. DIAL EMBOSSMENTS, AUTHENTICATING MANUFACTURE BY SETH THOMAS. THE SONORA 264 IS A LOVELY ANTIQUE FULLY RESTORED 8 BELL SONORA. AND IT DOES NOT LOOK LIKE A BRAND NEW OFF THE SHELF CLOCK. IT WOULD BE A TRAGIC INJUSTICE TO DESTROY THE VARIOUS PATINAS THAT GIVE THE SETH SUCH CHARACTER. THE WINDING HOLE NEAR THE 8 IS FOR THE HOUR COUNT CHIME; THE ONE NEAR THE 4 IS FOR THE TIME TRAIN. BOTH THE HOUR COUNT AND TIME TRAIN ARE HANDLED BY THE NO. ANOTHER HOLE AT THE 3 IS FOR WINDING THE QUARTER-HOUR WESTMINSTER AND WHITTINGTON CHIMES, HANDLED BY THE NO. A SMALLER HOLE BELOW THE HAND SHAFT IN THE MIDDLE OF THE DIAL IS FOR ACCESSING THE SLOW-FAST TIME ADJUSTMENT. A SLIDE LEVER ON THE SIDE OF THE CASE IS FOR CHIME-SILENT OPERATION. WHEN OPERATED, THE QUARTER HOUR CHIMES WILL BE SILENCED. A SECOND SLIDE LEVER ABOVE THE CHIME-SILENT LEVER. AS SHOWN IN PHOTO 2. ON THE SIDE ENABLES SELECTABLE SWITCHING BETWEEN THE WHITTINGTON OR WESTMINSTER CHIME SEQUENCES, SO THAT EITHER MELODY CAN BE PLAYED. THE 89AG MOVEMENT HANDLES THE TIME AND HOUR STRIKE FUNCTIONS AND THE 104A MOVEMENT HANDLES THE QUARTER HOUR FUNCTIONS. EACH QUARTER HOUR SEQUENCE IS SOUNDED ON THE SUPERB RESONATED BELLS WITH RICH HARMONICS, TIMBRE AND LINGERING DECAY WHEN STRUCK. AS WAS NOTED EARLIER, THE WHITTINGTON MELODY SEQUENCES ARE SOUNDED OUT USING ALL EIGHT SONORA BELLS, AND THE WESTMINSTER SEQUENCE IS SOUNDED OF FOUR OF THE BELLS. NOTE THAT THE HOUR COUNT. ON BOTH WHITTINGTON AND WESTMINSTER. IS SOUNDED VIA A STIRRING NOTE. ON BELL NUMBER 8. PLEASE MAKE IT A POINT TO LISTEN AND CAREFULLY REVIEW THE ATTACHED E COMMERCE AUDIO PLAYER SOUND FILES IN ORDER TO FULLY APPRECIATE WHAT OWNERS IN THE 1912 TIME FRAME APPRECIATED WITH THEIR NEW AND, AT THE TIME, VERY EXPENSIVE 8 BELL SONORA 264 CHIME CLOCKS. ALSO INCLUDED IS THE ORIGINALLY ISSUED BOY ON A FENCE PENDULUM BOB AND A BRASS DOUBLE ENDED KEY. CLOSE-UP VIEWS ARE SHOWN IN PHOTO 2. THE SONORA CHIME NO. 264 WILL BE THE CENTER-PIECE OF A GRAND DECORATIVE SETTING, AND IT IS AN EXCELLENT INVESTMENT, BECAUSE ITS VALUE WILL CONTINUE TO APPRECIATE YEAR AFTER YEAR. THIS IS A FULL SIZE CATHEDRAL SONORA CHIME CLOCK, SUITABLE FOR MANTLE, TABLE, OR SHELF DISPLAY – IDEAL FOR A VERY SPECIAL GIFT, YOUR PERSONAL USE, OR AS AN ADDITION TO YOUR COLLECTION. MEASUREMENTS ARE 10 ½ W X 14 ½H X 8 ¼ D. RESTORATION AND TECHNICAL DETAILS. THE RESTORATION PROCESS INCLUDED COMPLETE DISASSEMBLY AND INSPECTION OF EVERY ASPECT OF THE CLOCK. THE SONORA CHIME BELLS AND CHIME BLOCK ASSEMBLY WERE CAREFULLY DISASSEMBLED, CLEANED TO RESTORE THE RESONANT TIMBRE OF THE SONORA BELLS, AND EXAMINED FOR CONDITION TO INSURE THE ABSENCE OF HAIRLINE CRACKS, ETC. SUPERSIZE PHOTO 9 SHOWS THE DISASSEMBLED, CLEANED AND INSPECTED BELLS AND LARGE BELL NEST THAT CAN BE SEEN IN THE INSETS. ALSO PICTURED IS THE REASSEMBLED NEST OF BELLS THERE ARE 8 ACOUSTIC SOUND CHAMBERS IN THE NEST, DESIGNED TO RESONATE THE SPECIFIC PITCH OF EACH BELL, RESULTING IN A RICHNESS ASSOCIATED WITH SETH THOMAS 8 BELL SONORA CHIME CLOCKS. CAREFUL INSPECTION OF THE BELLS IS EXTREMELY IMPORTANT. ONE HAIRLINE CRACK CAN CAUSE A SONORA BELL TO LOSE ALL TONE AND TIMBRE, AND THE BEGINNING OF A HAIRLINE WILL ALMOST ALWAYS GROW TO A FULL HAIRLINE CRACK. IN ADDITION, OTHER ISSUES WITH CRACKED, BROKEN, OR DETERIORATED WOODEN AND PRESSED FELT BELL SPACERS, USED TO SEPARATE THE BELLS, WILL IMPACT THE SOUND, YET CANNOT BE DETECTED BY CASUAL INSPECTION. MOVEMENTS – #89AG AND #104A. BOTH THE 89AG TIME AND HOUR STRIKE MOVEMENT, AND THE 104A CHIME MOVEMENT WERE DISASSEMBLED, CLEANED WITH ULTRASONICS, INSPECTED IN DETAIL FOR CONDITION OF THE PIVOT BUSHINGS, GEAR TRAIN, AND ARBOR OR PIVOT ABNORMALITIES. OUT OF TOLERANCE BUSHINGS WERE REPLACED. EVERY OPERATIONAL ASPECT OF EACH MOVEMENT WAS ADDRESSED. THE MOVEMENTS WERE THEN REASSEMBLED AND PROPERLY LUBRICATED; BOTH MAINSPRINGS IN THE 89AG WERE REPLACED WITH NEW HIGHEST GRADE 120 INCH MAINSPRINGS, NOT THE LOWER QUALITY 96 INCH KIND THAT ARE MUCH LESS EXPENSIVE. THE GREAT MAINSPRING IN THE 104A WAS REMOVED FROM ITS RETAINING BARREL, FULLY UNWOUND, PROPERLY CLEANED, INSPECTED, REWOUND, AND LUBRICATED WITH MAINSPRING INDUSTRUAL GRADE LUBRICANT. REPLACEMENT OF THE 136 INCH #104 MAINSPRING IS NEITHER RECOMMENDED NOR REQUIRED, AS LONG AS THE EXISTING MAINSPRING EXCEEDS SPECIFICATIONS, AS THIS ONE DOES. A NEW MANUFACTURE REPLACEMENT MAINSPRING TO FIT THE #104 HAS DIFFERENT STRENGTH AND TORQUE CHARACTERISTICS FROM THE ORIGINAL, AND MAY CREATE EXCESSIVE FORCES WITHIN THE MOVEMENT. THE TOP LEFT INSET IN SUPERSIZE PHOTO 10 SHOWS SEVERAL ITEMS OF THE #104A MOVEMENT. PAY SPECIAL NOTICE TO THESE THREE CRITICAL COMPONENTS: THE GREAT WHEEL GEAR, THE SECOND WHEEL GEAR WITH PINION, AND THE CHIME DRUM THAT SYNCHRONIZES AND DRIVES THE CHIME HAMMERS. IF ANY OF THESE COMPONENTS IS ABOUT TO FAIL, IT MAY NOT BE OBVIOUS. WHEN IT OCCURS, THE COST TO REPAIR WILL GIVE YOU A JOLT, BECAUSE THERE ARE NONE IN SUPPLY CHANNELS; ANOTHER MOVEMENT WILL BE REQUIRED. THAT IS WHY I ALWAYS MAKE SURE THESE CRITICAL COMPONENTS ARE IN TOP CONDITION ON MY RESTORED SETH SONORA CLOCKS. SEVERAL INSET PHOTOS IN SUPERSIZE PHOTO 10 SHOW THE #104A MOVEMENT. RESTORATION NEARING COMPLETION, AFTER DISASSAMBLY, ULTRASONIC CLEANING, BUSHING AND PIVOT WORK, AND SUBSEQUENT REASSEMBLY. SUPERSIZE PHOTO 10 INSETS CONTAIN SOME DETAILS ABOUT THE #89AG MOVEMENT. THE INSETS GIVE SOME DETAILS OF THE VARIOUS COMPONENTS AFTER ULTRASONIC CLEANING, BUSHING REPLACEMENTS, PIVOT POLISHING AND STRAIGHTENING AND ALL OTHER ASPECTS OF THE MOVEMENT RESTORATION PRIOR TO REASSEMBLY. THE PHOTOS ILLUSTRATE THE IMPORTANCE OF A ROBUST PENDULUM SWING, AND ARE DISCUSSED IN THE SECTION ADDITIONAL TECHNICAL INFORMATION, BELOW. JUST LISTEN TO THE ATTACHED SOUND FILES FOR AN ACCURATE RENDERING OF THE CLARITY, RESONANCE, TONE DEPTH AND RICH DECAY OF EACH NOTE STRUCK WHEN THE SONORA 264 CHIMES AND STRIKES THE HOUR. AFTER REASSAMBLY, APPROPRIATE ADJUSTMENTS FOR TIME, CHIME, HOUR STRIKE, SYNCHRONIZATION, PENDULUM RATE AND BEAT ERROR ETC. WERE ACCOMPLISHED USING MECHANICAL AND ELECTRONIC MEANS. AN EXTENDED BENCH RUN TEST FOLLOWED. SEVERAL PHOTOS OF THE RESTORATION WORK ARE PART OF THE PORTFOLIO. AS PART OF THE TESTS AND ADJUSTMENTS PROCEDURES ON THE #89AG MOVEMENT, THE. ARE CHECKED AND SET – AN OBJECTIVE OF NEAR ZERO FOR BEAT ERROR IS DESIRED. THIS RESTORED 89O MOVEMENT ADJUSTED TO ZERO ERROR AND STABILIZED AT ZERO ERROR. THIS ADJUSTMENT PROCEDURE IS HIGHLIGHTED VIA THE TOP INSET IN PHOTO 11. FOR PENDULUM BEAT RATE, THE 89AG IS DESIGNED TO RUN AT 9,777 BEATS PER HOUR. THE RESTORED MOVEMENT EASILY HELD THE 9,777 BEAT RATE, MEANING THE TIME KEEPING WILL BE DEPENDABLE AND THE MOVEMENT WILL GIVE RELIABLE SERVICE. IN FACT, BOTH MOVEMENTS IN THE SONORA 264 WERE RESTORED TO SUPERIOR CONDITIION. THE BEAT RATE ADJUSTMENT PROCESS IS PICTURED IN THE TOP INSET OF SUPERSIZE PICTURE 11. OBSERVE IN SUPERSIZE PHOTO 10. THAT THE PENDULUM SWING AMPLITUDE IS A FULL 3 5/8 INCHES, VERY ROBUST AND EXCEEDING ORIGINAL SPECIFICATIONS. A HEALTY PENDULUM SWING IS A POSITIVE INDICATOR OF A HEALTY MOVEMENT THAT HAS VERY LITTLE FRICTION AND LOTS OF ENERGY. BEWARE OF A #89AG MOVEMENT WITH A PENDULUM AMPLITUDE OF 2 ½ INCHES OR LESS A SIGN OF POOR MOVEMENT HEALTH. BY ALL MEANS BE IN TOUCH TO DISCUSS. FEATURES, OR ANY ASPECT OF THIS VERY SPECIAL FULLY RESTORED8 BELL SONORA. ALL OF MY DISTINCTIVECLOCKS SETH THOMAS ANTIQUE CLOCKS ARE FULLY RESTORED IN EVERY WAY UNLESS SPECIFICALLY STATED OTHERWISE. MY SINCERE HOPE IS TO EXCEED YOUR EXPECTATIONS IN EVERY WAY. ENJOY THE LISTING IF YOU NEED OR DESIRE ADDITIONAL INFORMATION, PLEASE BE IN TOUCH WITH ME, STEVE. IMPORTANT NOTE E COMMERCE AUDIO PLAYER SOUND FILES ARE AT THE BEGINNING OF MY LISTING. CRANK UP YOUR VOLUME AND ENJOY! NOTE THE 4 BELL CHORD HOUR STRIKE ALSO. SIX SOUND FILES OF THE SETH SONORA CHIME 264 – 1912 WITH #89AG AND # 104A MOVEMENTS IN OPERATION ARE AVAILABLE IN. PENDULUM BEAT-ESCAPEMENT/VERGE/CRUTCH AND TIME GEAR TRAIN OPERATION SOUNDS OF THE MOVEMENT LISTEN FOR CLEAN AND EVEN SOUND, REGULARITY, AND THE ABSENCE OF ODD NOISES. WESTMINSTER CHIME SEQUENCES AT 6:15 6:30 6:45 – LISTEN FOR PURE NOTES WITH GOOD TIMBRE, RICH DECAY AND ZESTY TEMPO OF THE MOVEMENT RATHER THAN A SLOW, SLUGGISH OR DRAGGING TEMPO. THE FULL 16 NOTE WESTMINSTER. SEQUENCE AND HOUR COUNT AT 7:00. AGAIN, LISTEN FOR PURE NOTES WITH GOOD TIMBRE AND RICH DECAY – AND AGAIN THE ZESTY TEMPO OF THE MOVEMENT RATHER THAN SLOW, SLUGGISH OR DRAGGING TEMPO. WHITTINGTON SEQUENCES AT 7:15 7:30 7:45 – LISTEN FOR PURE NOTES WITH GOOD TIMBRE, RICH DECAY AND ZESTY TEMPO OF THE MOVEMENT RATHER THAN A SLOW, SLUGGISH OR DRAGGING TEMPO. THE FULL 32 NOTE WHITTINGTON. SEQUENCE AND HOUR COUNT AT 8:00. IMPORTANT NOTE ABOUT SOUND RECORDING. THE MICROPHONE IS IN CLOSE PROXIMITY TO THE MOVEMENT FOR RECORDING PURPOSES, AND SOME NORMAL GEAR TRAIN OPERATION SOUNDS WILL BE HEARD. THE OPERATION SOUNDS ARE NOT NOTICED AT TYPICAL LISTENING DISTANCES. The item “RARE & RESTORED SETH THOMAS ANTIQUE 8 BELL SONORA CHIME CLOCK 264 1912″ is in sale since Saturday, April 4, 2020. This item is in the category “Collectibles\Clocks\Antique (Pre-1930)\Shelf, Mantel”. The seller is “distinctiveclocks_and_audio” and is located in Irmo, South Carolina. This item can be shipped to United States.

• Brand: Seth Thomas Herschede
• Clock Type: 8 BELL SONORA CHIME CLOCK

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